


The first thing you notice about the kit box is the excellent box art. Artist Jay C. Lewis has a nice ability to capture the "gesture" (look and feel) of each vehicle. The box art embellishes a bit on what actually resides within; meaning it is more inspirational than representational. Thank goodness! This is a very simple kit right out of the box and making the box art a separate, enjoyable object in its own right was a lost part of car modeling during the last 10 years. This one recalls the days when quality painted artwork was created specifically for the kit box.
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Like most kits of this kind the translation into styrene is not without its pitfalls. The Snap Draggin's tm low points stem from the same area that's also the kits appeal; its simplicity. Many parts are shared between kits. I'm sure this keeps the kits cost down. The chrome and tire tree which make up a large part of the kit are the same for every car. Too bad too, I would have liked to have the wheels that appear on the box art. The chrome wheels are two dimensional affairs with only the slightest relief between the five awkward spokes. The tires are too rounded-off and would benefit from a little crisp detailing. Despite the artwork on the box these kits contain no graphic decals. This is especially unfortunate since the BadBoy '55 has the neat Tom Daniel Bad Man graphic treatment. Lastly many of the glittering chrome parts shown on the box art are actually molded in black. Are any of these a big deal? Not really. This is a relatively short list of complaints and all of them are pretty minor. Many are dealt with in the detailing phase anyway.
DETAILING: I don't suggest the twist and pull method of part removal. If you take a little extra time there are a couple of things you can do to improve these kits.
In the future I plan on sculpting an ominous figure for the driver. In order for it to be seen I have to replace the kit's dark (too dark) tinted window molding with colored transparent film. This can obtained from printing companies that do old style (non-digital) 4-color process printing. You can get blue, magenta or yellow scrap film that will look just like the tinted gasser windows from the 60s. Another option is exposed negative material from the end of a roll of color film. These are usually included when you have photo prints made. It is a dark orange color and works great for tinted windows. Scrawl AA/GS on the side windows in white paint for the definitive Gasser look. Paint the inside of the body flat black to prevent seeing the various mounting points that were obscured by the dark kit glass molding.
The fenders are a bit bare so adding taillights to the rear and working up the headlights adds a lot to the look. Using a combination of red sprue and a short length of aluminum tubing I created the taillights. These were inset into each rear fender then covered with Future Floor Polish to anchor them and give them a gloss sheen. The headlights rings in the front fenders also received some detailing using Bare Metal Foil. Clear plastic headlight lenses from the parts box sat nicely in the depressions. These too were brushed with a generous application of Future.| The boxes that Polar Lights kits come in are scary in their sturdiness. The box weighs more than the kit inside. Why? |
| On the BadBoy '55 Chevy you can connect the body to chassis with the rear tires facing the opposite direction than indicated. This will give the ol' boy an even hairier wheelie. Yeah, the wrinkles on the slicks are going the wrong way but nobody will notice. |